Peng Xiaolian

Peng Xiaolian
b. 1953, Shanghai
Film director/writer
One of the female graduates of the Beijing Film Academy class of 1982, Peng Xiaolian shares the collective label of the Fifth Generation (film directors) but is interested in different narratives and forms. Her directing career began at the Shanghai Film Studio with a children’s film, Me and My Classmates (1985). A director and a writer, she has scripted most of her films.
Peng is best known for her second feature film, Women’s Story (Nüren de gushi, 1987). The film follows three peasant women who step out from their village and traditional roles to pursue wealth and freedom in the city. Seen from a woman’s perspective, the film communicates a strong sense of gender consciousness. The difficulty in finding a language that speaks for female experience prevents the film from achieving a female subjectivity. Indeed, the rise of gender consciousness coupled with the lack of feminine aesthetics is a problem central to women’s film production.
In 1989, Peng Xiaolian came to the United States on a scholarship to pursue an MFA degree at New York University. After returning to China, she continued to make films in Shanghai, including Once Upon a Time in Shanghai (Shanghai wangshi, 1999) and a children’s animation, Keke’s Umbrella (2000). A new project explores how a teenage girl growing up in a single-parent household pretends to be normal although everything around her strikes her as abnormal. Peng Xiaolian also scripted and directed Jiazhuang mei ganjue, 2002.
Berry, Chris (1988). ‘Interview with Peng Xiaolian’. Camera Obscura: A Journal of Feminism and Film Theory 18 (September): 26–31.
Cui, Shuqin (2003). ‘Feminism with Chinese Characteristics?’ In idem, Women Through the Lens: Gender and Nation in a Century of Chinese Cinema, Honolulu: University of Hawai’i Press.
CUI SHUQIN

Encyclopedia of contemporary Chinese culture. . 2011.

Игры ⚽ Поможем сделать НИР

Look at other dictionaries:

  • Shanghai Story — Traditional 美麗上海 Simplified 美丽上海 …   Wikipedia

  • Chinese films of the 2000s — This list is incomplete; you can help by expanding it. Cinema of China List of Chinese films 1905–1919 1920s 1930 …   Wikipedia

  • Zhang Yimou — This is a Chinese name; the family name is Zhang. Zhang Yimou 张艺谋 Zhang Yimou honored at the press conference (2005) …   Wikipedia

  • Wei Shiyu — (zh c|c=魏時煜) (also credited as Louisa Wei or Louisa Wei Shiyu) is a Chinese filmmaker, film producer, script translator and educator. Early life Wei Shiyu was born in Dongying City of Shandong Province, but grew up in Xian. Her father is from one …   Wikipedia

  • List of Chinese directors — The following is a list of notable film directors from Mainland China. B*Bu Wancang (1903–1974)C*Joan Chen (born 1961), Chinese actress and director. *Chen Daming, actor turned director. *Chen Kaige (born 1952), major figure of the Fifth… …   Wikipedia

  • Josephine Koo — Mei Wah ( zh. 顧美華) is a Chinese actress. She had a bright start to her film career, starring in Yim Ho s Hong Kong New Wave classic Homecoming (1984). The film won her the Best New Performer Award at the Hong Kong Film Awards in 1985, and also a… …   Wikipedia

  • Chinese films of the 1990s — This list is incomplete; you can help by expanding it. Cinema of China List of Chinese films 1905–1919 1920s …   Wikipedia

  • Joey Wong — (chinois : 王祖賢, Pinyin : Wáng Zǔxián), est une actrice et chanteuse taïwanaise, née le 31 juillet 1967 à Taïwan. Filmographie 1984 : An Eternal Combat (Tian di xuan men), de Thomas Yip 1985 : Working Class (Da gung… …   Wikipédia en Français

  • Beijing Children’s Film Studio — (Zhongguo ertong zhipianchang) The Beijing Children’s Film Studio was the brain child of Yu Lan (b. 1921), a famous film actress of the 1950s and 1960s. Her acting pedigree includes Lin Family Shop (Lin jia puzi, 1959), Revolutionary Family… …   Encyclopedia of Contemporary Chinese Culture

  • children’s feature film — in China is distinguished by the seriousness with which pressing, political and social issues are addressed, and by the dedication of key film workers to the survival and expansion of this sector of the industry. It can be divided in six periods… …   Encyclopedia of Contemporary Chinese Culture

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”